Wildfires are once again blazing across the Western United States and Canada, regions many consider the Mecca of nature photography. Climate change is the primary driving force behind these devastating fires, creating a new reality we must unfortunately learn to navigate. In this comprehensive guide, we'll explore how to predict wildfire smoke, use it to your advantage in photography, and recognize when it might ruin your outdoor shooting plans.
When Smoke Ruins Your Plans
Before delving into photography techniques, we must acknowledge the tragedy affecting those who have lost homes or face threats from wildfires. This article focuses on how smoke impacts our photography - a less critical but still relevant concern for many nature enthusiasts.
Night Photography
For astrophotographers planning to capture the Milky Way or Aurora Borealis, smoke can be particularly problematic. Dense smoke can obscure the night sky, creating a brown haze that renders images nearly unusable. Always check smoke forecasts before embarking on a night photography expedition.
Wildfire smoke covering up the milky way at Corona Arch in Moab, Utah
Landscape Photography
While smoke can occasionally create compelling images, it typically mars beautiful landscapes with an apocalyptic brown haze. The red sun glowing through smoke might be visually striking, but for many, it now carries negative connotations due to the harsh realities of wildfires.
Air Quality Concerns
When wildfire smoke is present, air quality can rapidly deteriorate to unhealthy levels. This is especially important for individuals with respiratory conditions like asthma. To monitor air quality:
Use AirNow for real-time air quality data across the US.
If the Air Quality Index (AQI) is in the red zone (unhealthy), consider wearing an N95 mask for extended outdoor activities like hiking and photography.
AirNow Screenshot with Smoke and Air Quality Layers
Predicting and Avoiding Smoke
Utilizing Smoke Maps
AirNow also offers a smoke layer map, which is easier to interpret when you disable the air quality monitor layer. This map helps visualize smoke density:
Light grey areas: Slight haze, generally not a major concern.
Dark grey areas: Dense smoke, consider rescheduling your trip.
AirNow Screenshot with Smoke and Active Fire Layers
Predicting Smoke
A valuable tool for smoke prediction is the NOAA Smoke Forecast. This tool provides a model prediction of smoke conditions for the next 12-18 hours. While this doesn't allow for long-term planning, it's a useful short-term forecasting tool. However, keep in mind that even within 12 hours, actual conditions can vary significantly from the forecast due to the many variables involved.
NOAA Smoke Forecast
How to Use the NOAA Smoke Forecast
When you first open the site, you'll see a blank map. Start by turning on the "Surface Smoke" layer. This will populate the map with smoke forecast data. There are two different Surface Smoke layers available:
One under "RAP" (Rapid Refresh)
Another under "HRRR" (High-Resolution Rapid Refresh) The HRRR model is generally more accurate but only covers the continental US, while the RAP covers all of North America. The HRRR allows you to see the forecast out to 12 hours, whereas the RAP extends to 18 hours. Both models are updated hourly.
At the bottom of the page, you'll find a time scale with controls to view different times. By default, this is displayed in Zulu time. To change this to your local time, simply click the area where the time is displayed.
It's important to note that when the site loads, it defaults to the latest predicted model time, not the current time. What you're seeing is the prediction for later in the day or tomorrow. To see the current time, you must drag the slider back to the beginning.
Embracing Smoke in Your Photography
While smoke presents challenges, it also offers unique photographic opportunities:
Intimate Landscapes
Focus on smaller scenes where the warm glow of filtered light can enhance your composition. Experiment with excluding the sky to avoid evoking negative emotions associated with visibly smoky conditions, although including the sky can work at times.
Steam colored by warm wildfire smoke by David Kingham
Fog colored by warm wildfire smoke by David Kingham
Wildfire smoke gives color to the mist at Brink of the Upper Falls in Yellowstone National Park
Creating Fine Art Projects
Consider developing a photo series that showcases beauty amid adversity. Such projects can tell compelling stories when presented thoughtfully. For inspiration, check out Matt Lancaster's project "End of Days" in the Project Critique section of Nature Photographers Network.
It's critical to remember that flying drones near active wildfires is strictly prohibited. Firefighting aircraft operate at very low altitudes, and the presence of drones in the area can force these vital operations to be grounded. This not only hampers firefighting efforts but can also put lives at risk. Always check local regulations and fire status before flying your drone, and never fly near active fire zones.
Conclusion
As nature photographers, we must adapt to changing environmental conditions, including the increasing prevalence of wildfire smoke. By understanding how to predict, avoid, and sometimes utilize smoke in our images, we can continue to create meaningful work while prioritizing our health and safety.
Remember, always stay informed about local fire conditions and follow evacuation orders when issued. Your safety should always be the top priority.
Both Jennifer and David are excellent photographers and teachers including post processing. In addition, their in-depth knowledge of the locations Makes for a well rounded workshop. They are the best!
David and Jennifer were a great team and did a superb job in organizing daily trips, lectures, and portfolio reviews. All outings were of high quality and easy to get to. This workshop rekindled my love and excitement for photography. The workshop participants were all at a high level in both knowledge and artistry. Both instructors were very helpful for technical problems in the field with David using Canon and Jennifer using Nikon. We all enjoyed the camaraderie over the workshop and I liked it so much I signed up for the Yellowstone workshop later this year. I also received a book of a selection of photos taken by the participants which was a reminder of how well everyone did over the week. In summary, this is a low key, non competitive and warm workshop that will go a surprisingly long way in improving your technical and conceptual expertise in photography.
W
Death Valley Intimate Landscapes 2024 Zine Will Varnell
Best workshop I’ve ever attended.
David and Jennifer were a great team and did a superb job in organizing daily trips, lectures, and portfolio reviews. All outings were of high quality and easy to get to. This workshop rekindled my love and excitement for photography. The workshop participants were all at a high level in both knowledge and artistry. Both instructors were very helpful for technical problems in the field with David using Canon and Jennifer using Nikon. We all enjoyed the camaraderie over the workshop and I liked it so much I signed up for the Yellowstone workshop later this year. I also received a book of a selection of photos taken by the participants which was a reminder of how well everyone did over the week. In summary, this is a low key, non competitive and warm workshop that will go a surprisingly long way in improving your technical and conceptual expertise in photography.
B
Death Valley Intimate Landscapes 2024 Zine Bob P
Great extra for our great trip!
Very nice booklet; great to see others work from the same areas.