Wildfires are once again blazing across the Western United States and Canada, regions many consider the Mecca of nature photography. Climate change is the primary driving force behind these devastating fires, creating a new reality we must unfortunately learn to navigate. In this comprehensive guide, we'll explore how to predict wildfire smoke, use it to your advantage in photography, and recognize when it might ruin your outdoor shooting plans.
When Smoke Ruins Your Plans
Before delving into photography techniques, we must acknowledge the tragedy affecting those who have lost homes or face threats from wildfires. This article focuses on how smoke impacts our photography - a less critical but still relevant concern for many nature enthusiasts.
Night Photography
For astrophotographers planning to capture the Milky Way or Aurora Borealis, smoke can be particularly problematic. Dense smoke can obscure the night sky, creating a brown haze that renders images nearly unusable. Always check smoke forecasts before embarking on a night photography expedition.
Wildfire smoke covering up the milky way at Corona Arch in Moab, Utah
Landscape Photography
While smoke can occasionally create compelling images, it typically mars beautiful landscapes with an apocalyptic brown haze. The red sun glowing through smoke might be visually striking, but for many, it now carries negative connotations due to the harsh realities of wildfires.
Air Quality Concerns
When wildfire smoke is present, air quality can rapidly deteriorate to unhealthy levels. This is especially important for individuals with respiratory conditions like asthma. To monitor air quality:
Use AirNow for real-time air quality data across the US.
If the Air Quality Index (AQI) is in the red zone (unhealthy), consider wearing an N95 mask for extended outdoor activities like hiking and photography.
AirNow Screenshot with Smoke and Air Quality Layers
Predicting and Avoiding Smoke
Utilizing Smoke Maps
AirNow also offers a smoke layer map, which is easier to interpret when you disable the air quality monitor layer. This map helps visualize smoke density:
Light grey areas: Slight haze, generally not a major concern.
Dark grey areas: Dense smoke, consider rescheduling your trip.
AirNow Screenshot with Smoke and Active Fire Layers
Predicting Smoke
A valuable tool for smoke prediction is the NOAA Smoke Forecast. This tool provides a model prediction of smoke conditions for the next 12-18 hours. While this doesn't allow for long-term planning, it's a useful short-term forecasting tool. However, keep in mind that even within 12 hours, actual conditions can vary significantly from the forecast due to the many variables involved.
NOAA Smoke Forecast
How to Use the NOAA Smoke Forecast
When you first open the site, you'll see a blank map. Start by turning on the "Surface Smoke" layer. This will populate the map with smoke forecast data. There are two different Surface Smoke layers available:
One under "RAP" (Rapid Refresh)
Another under "HRRR" (High-Resolution Rapid Refresh) The HRRR model is generally more accurate but only covers the continental US, while the RAP covers all of North America. The HRRR allows you to see the forecast out to 12 hours, whereas the RAP extends to 18 hours. Both models are updated hourly.
At the bottom of the page, you'll find a time scale with controls to view different times. By default, this is displayed in Zulu time. To change this to your local time, simply click the area where the time is displayed.
It's important to note that when the site loads, it defaults to the latest predicted model time, not the current time. What you're seeing is the prediction for later in the day or tomorrow. To see the current time, you must drag the slider back to the beginning.
Embracing Smoke in Your Photography
While smoke presents challenges, it also offers unique photographic opportunities:
Intimate Landscapes
Focus on smaller scenes where the warm glow of filtered light can enhance your composition. Experiment with excluding the sky to avoid evoking negative emotions associated with visibly smoky conditions, although including the sky can work at times.
Steam colored by warm wildfire smoke by David Kingham
Fog colored by warm wildfire smoke by David Kingham
Wildfire smoke gives color to the mist at Brink of the Upper Falls in Yellowstone National Park
Creating Fine Art Projects
Consider developing a photo series that showcases beauty amid adversity. Such projects can tell compelling stories when presented thoughtfully. For inspiration, check out Matt Lancaster's project "End of Days" in the Project Critique section of Nature Photographers Network.
It's critical to remember that flying drones near active wildfires is strictly prohibited. Firefighting aircraft operate at very low altitudes, and the presence of drones in the area can force these vital operations to be grounded. This not only hampers firefighting efforts but can also put lives at risk. Always check local regulations and fire status before flying your drone, and never fly near active fire zones.
Conclusion
As nature photographers, we must adapt to changing environmental conditions, including the increasing prevalence of wildfire smoke. By understanding how to predict, avoid, and sometimes utilize smoke in our images, we can continue to create meaningful work while prioritizing our health and safety.
Remember, always stay informed about local fire conditions and follow evacuation orders when issued. Your safety should always be the top priority.
I was not going to mention this but since you asked...not really a complaint but an observation.
The Nordic Inn does not have Microwaves in their rooms (as far as I can tell). Most people could care less but I do. So I made a reservation in a hotel across the street (at the Grand Lodge). Not a problem - within an easy walking distance :-)
Explore, Learn, Create and Grow with Jennifer & David in Anza
This was my second workshop with David and Jennifer, and once again, it was an incredibly rewarding experience. Both workshops provided a wonderful balance of learning and creativity in a supportive and nurturing environment.
David and Jennifer are true educators. With their kind and thoughtful approach, they offer insightful guidance that helps you refine your own vision rather than imposing theirs. I truly appreciate the extra effort they put into both field and classroom sessions to ensure every participant gains valuable skills and confidence.
Jennifer’s expertise in ICM techniques introduced me to new and creative ways of capturing images, while David’s post-processing techniques—along with his brand-new presets—have completely transformed and simplified my editing workflow. Thank you, David!
Beyond their technical knowledge, Jennifer and David are incredibly professional, knowledgeable, and attentive workshop leaders. I highly recommend their workshops and am already looking forward to my next one with them!
David and Jennifer's Anza-Borrego photography workshop was an exceptional experience, blending technical instruction and artistic exploration in the stunning desert landscapes of Anza Borrego Desert State Park. Despite the absence of wildflowers, David and Jennifer found phenomenal shooting locations that showcased the park’s diverse beauty, from small cactus flowers to dramatic badlands and slot canyons. Their expertise transformed challenges into opportunities, ensuring that we captured compelling images.
David’s instruction on using his presets was particularly enlightening. His tailored approach streamlines the post-processing workflow and enables you to enhance textures and colors with precision. His guidance proved invaluable in bringing out the desert’s rich hues and intricate details, elevating final images.
Jennifer’s sessions on intentional camera movement (ICM) and intimate landscapes added yet another creative dimension to the workshop. Her techniques encouraged participants to experiment with motion blur for abstract compositions and focus on smaller, often overlooked details of the desert environment. Her emphasis on artistic expression inspired me to see beyond traditional landscape photography and embrace unique perspectives.
The workshop’s structure balanced field sessions at sunrise and sunset with classroom instruction during midday. David covered techniques like focus stacking and Lightroom best practices as well as provided personalized feedback during image critiques. The small group size fostered camaraderie and ensured individual attention, making the experience both intimate and impactful.
Anza-Borrego Desert State Park was a mesmerizing backdrop for this immersive learning journey. Its vast wilderness and dramatic rock formations provided endless inspiration. March’s mild temperatures further enhanced the experience, with only one shoot in gale force winds.
David and Jennifer's Anza-Borrego photography workshop was a blend of technical skill-building, artistic exploration, and community connection.
Though I have been going to Anza Borrego Desert State Park for over 20 years, the time I spent there with David and Jennifer helped me slow down and see Borrego in a new and deeper way. Their expert knowledge of light , setting and moment allowed me to capture meaningful and personal images that reflect the beauty of what at first glance appears a harsh and unforgiving environment.
Image review and processing sessions lead by David and Jennifer provided not only the tools but also insight on how to truly make our images our own.
If you can go on only one Workshop - go with David and Jennifer and you won't be disappointed.
ONE OF A KIND EXPERIENCE (IN THE BEST WAY POSSIBLE ;)) OFF ROAD IN DEATH VALLEY
Full disclosure, I am a repeat client having done past workshops with David and Jennifer. There is a very good reason for that; they are simply the BEST. Everything is done with intention and consideration. Consideration concerning their clients, consideration concerning locations , and consideration concerning locations vis a vis real time weather conditions. No flying by the seat of one's pants. The locations have been scouted in advance, so when weather conditions rapidly change, they know which location would be best for that day's weather. This workshop was unique because we went to locations that are not often visited by workshops. They were harder to get to, and in two cases for sure, required a Jeep for safe travel. We went everywhere in a Jeep. Sure a few spots might have been accessible by rental car, but why risk getting stuck and ruining the workshop for all. Their teaching style is kind and helpful. It is never about what they insist you should photograph, but rather helping you to better accomplish what you envision. Ask yourself if you just want to take images that everyone else takes, or if you would rather be in a space where you can be yourself and take the images that speak to you. If it's that later, then David and Jennifer will exceed your expectations. The first workshop I took with them, I barely knew how to operate my camera, and yet I left with a feeling that I could get better and really enjoy this hobby. It doesn't matter what level photographer you are, you can be you and always be supported.