Wildfires are once again blazing across the Western United States and Canada, regions many consider the Mecca of nature photography. Climate change is the primary driving force behind these devastating fires, creating a new reality we must unfortunately learn to navigate. In this comprehensive guide, we'll explore how to predict wildfire smoke, use it to your advantage in photography, and recognize when it might ruin your outdoor shooting plans.
When Smoke Ruins Your Plans
Before delving into photography techniques, we must acknowledge the tragedy affecting those who have lost homes or face threats from wildfires. This article focuses on how smoke impacts our photography - a less critical but still relevant concern for many nature enthusiasts.
Night Photography
For astrophotographers planning to capture the Milky Way or Aurora Borealis, smoke can be particularly problematic. Dense smoke can obscure the night sky, creating a brown haze that renders images nearly unusable. Always check smoke forecasts before embarking on a night photography expedition.
Wildfire smoke covering up the milky way at Corona Arch in Moab, Utah
Landscape Photography
While smoke can occasionally create compelling images, it typically mars beautiful landscapes with an apocalyptic brown haze. The red sun glowing through smoke might be visually striking, but for many, it now carries negative connotations due to the harsh realities of wildfires.
Air Quality Concerns
When wildfire smoke is present, air quality can rapidly deteriorate to unhealthy levels. This is especially important for individuals with respiratory conditions like asthma. To monitor air quality:
Use AirNow for real-time air quality data across the US.
If the Air Quality Index (AQI) is in the red zone (unhealthy), consider wearing an N95 mask for extended outdoor activities like hiking and photography.
AirNow Screenshot with Smoke and Air Quality Layers
Predicting and Avoiding Smoke
Utilizing Smoke Maps
AirNow also offers a smoke layer map, which is easier to interpret when you disable the air quality monitor layer. This map helps visualize smoke density:
Light grey areas: Slight haze, generally not a major concern.
Dark grey areas: Dense smoke, consider rescheduling your trip.
AirNow Screenshot with Smoke and Active Fire Layers
Predicting Smoke
A valuable tool for smoke prediction is the NOAA Smoke Forecast. This tool provides a model prediction of smoke conditions for the next 12-18 hours. While this doesn't allow for long-term planning, it's a useful short-term forecasting tool. However, keep in mind that even within 12 hours, actual conditions can vary significantly from the forecast due to the many variables involved.
NOAA Smoke Forecast
How to Use the NOAA Smoke Forecast
When you first open the site, you'll see a blank map. Start by turning on the "Surface Smoke" layer. This will populate the map with smoke forecast data. There are two different Surface Smoke layers available:
One under "RAP" (Rapid Refresh)
Another under "HRRR" (High-Resolution Rapid Refresh) The HRRR model is generally more accurate but only covers the continental US, while the RAP covers all of North America. The HRRR allows you to see the forecast out to 12 hours, whereas the RAP extends to 18 hours. Both models are updated hourly.
At the bottom of the page, you'll find a time scale with controls to view different times. By default, this is displayed in Zulu time. To change this to your local time, simply click the area where the time is displayed.
It's important to note that when the site loads, it defaults to the latest predicted model time, not the current time. What you're seeing is the prediction for later in the day or tomorrow. To see the current time, you must drag the slider back to the beginning.
Embracing Smoke in Your Photography
While smoke presents challenges, it also offers unique photographic opportunities:
Intimate Landscapes
Focus on smaller scenes where the warm glow of filtered light can enhance your composition. Experiment with excluding the sky to avoid evoking negative emotions associated with visibly smoky conditions, although including the sky can work at times.
Steam colored by warm wildfire smoke by David Kingham
Fog colored by warm wildfire smoke by David Kingham
Wildfire smoke gives color to the mist at Brink of the Upper Falls in Yellowstone National Park
Creating Fine Art Projects
Consider developing a photo series that showcases beauty amid adversity. Such projects can tell compelling stories when presented thoughtfully. For inspiration, check out Matt Lancaster's project "End of Days" in the Project Critique section of Nature Photographers Network.
It's critical to remember that flying drones near active wildfires is strictly prohibited. Firefighting aircraft operate at very low altitudes, and the presence of drones in the area can force these vital operations to be grounded. This not only hampers firefighting efforts but can also put lives at risk. Always check local regulations and fire status before flying your drone, and never fly near active fire zones.
Conclusion
As nature photographers, we must adapt to changing environmental conditions, including the increasing prevalence of wildfire smoke. By understanding how to predict, avoid, and sometimes utilize smoke in our images, we can continue to create meaningful work while prioritizing our health and safety.
Remember, always stay informed about local fire conditions and follow evacuation orders when issued. Your safety should always be the top priority.
David and Jennifer really know the Death Valley location for photographers. What’s more is that they scout the locations in detail immediately before the workshop. In an area where weather dramatically alters the immediate landscape, this is vitally important when you are spending your precious time there.
Unlike many workshops, the instruction gets high priority, with classroom sessions where you learn steps towards that extra special image. In the case of the black and white workshop that I took, it involved David’s workflow that was simple, innovative and gave impressive results. Also field use of your camera divulges features that you never knew your camera had.
NiSi JetMag Pro Landscape Filter Kit - First Impressions
I recently received the new NiSi JetMag Pro Landscape Magnetic Filter Kit after having ordered it from Exploring Exposure. The kit contained a nice hard shell carrying case, 3 ND filters, (3,6 and 10-stop) a CPL, a rear cap and 2 front caps as well as all the step-up rings I needed to be able to use the filters on all of my lenses. Having been using screw-in filters, I was really impressed with the quickness and ease of using the NiSi magnetic filters. I particularly like the 'bayonet' locking mechanism that secures the filters to the lens so they cannot fall off nor be knocked off by accident. The 'handles' or tabs on the side of the filters make them easy to handle, place and remove as well as rotate the CPL. A quick check of the filters showed no color cast nor vignetting even when I stacked the CPL and two additional ND filters on a 24mm lens.
Being new to a magnetic filter system it took me a little time to get used to the strength of the magnetics, but quickly learned how to effectively and efficiently handle them.
I applied to this workshop almost a year ahead and it was well worth the wait. The sand dunes photo op turned out to be my favorite location. Post-processing using Davids techniques was a new experience. When I returned home, I had tons of problems with the above. A week later I transferred files to a different computer then updated all programs. Now all is well and running. I can't wait to experiment with images. I appreciated the rotating individual help both David and Jennifer provided at all locations.
Hi Jeff,
Thank you so much for your kind words! We're thrilled to hear that you enjoyed the Death Valley workshop and found the sand dunes to be a highlight. It was our pleasure to provide you with individual support throughout the experience. We’re excited to see what amazing images you create with your new skills and can’t wait to work with you again in the future!
This was my first Workshop with David and Jennifer. My primary goal was to gain experience in processing images in B&W. I accomplished this and much more. David and Jennifer know Death Valley like their own backyard. The locations were superb. David and Jennifer were always available to assist while I struggled with camera settings and compositions. The classroom presentations and discussions were invaluable. I look forward to attending another workshop with them in the future.
Hi Richard,
Thank you so much for your fantastic review! We're thrilled to hear that you gained valuable experience in processing B&W images and that you enjoyed the locations we chose in Death Valley. It was a pleasure to assist you, and we're glad the classroom sessions resonated with you. We can't wait to work with you again in the future, there's always more to explore!
This workshop was a thoroughly enjoyable and rewarding experience! David and Jennifer set the tone for a fun loving, growth experience. A milieu was established where photographers of all experience levels were welcome and provided with the appropriate level of input and feedback. I was gently pushed beyond my comfort zone which is a great place to learn! I highly recommend their workshops.