Wildfires are once again blazing across the Western United States and Canada, regions many consider the Mecca of nature photography. Climate change is the primary driving force behind these devastating fires, creating a new reality we must unfortunately learn to navigate. In this comprehensive guide, we'll explore how to predict wildfire smoke, use it to your advantage in photography, and recognize when it might ruin your outdoor shooting plans.
When Smoke Ruins Your Plans
Before delving into photography techniques, we must acknowledge the tragedy affecting those who have lost homes or face threats from wildfires. This article focuses on how smoke impacts our photography - a less critical but still relevant concern for many nature enthusiasts.
Night Photography
For astrophotographers planning to capture the Milky Way or Aurora Borealis, smoke can be particularly problematic. Dense smoke can obscure the night sky, creating a brown haze that renders images nearly unusable. Always check smoke forecasts before embarking on a night photography expedition.
Wildfire smoke covering up the milky way at Corona Arch in Moab, Utah
Landscape Photography
While smoke can occasionally create compelling images, it typically mars beautiful landscapes with an apocalyptic brown haze. The red sun glowing through smoke might be visually striking, but for many, it now carries negative connotations due to the harsh realities of wildfires.
Air Quality Concerns
When wildfire smoke is present, air quality can rapidly deteriorate to unhealthy levels. This is especially important for individuals with respiratory conditions like asthma. To monitor air quality:
Use AirNow for real-time air quality data across the US.
If the Air Quality Index (AQI) is in the red zone (unhealthy), consider wearing an N95 mask for extended outdoor activities like hiking and photography.
AirNow Screenshot with Smoke and Air Quality Layers
Predicting and Avoiding Smoke
Utilizing Smoke Maps
AirNow also offers a smoke layer map, which is easier to interpret when you disable the air quality monitor layer. This map helps visualize smoke density:
Light grey areas: Slight haze, generally not a major concern.
Dark grey areas: Dense smoke, consider rescheduling your trip.
AirNow Screenshot with Smoke and Active Fire Layers
Predicting Smoke
A valuable tool for smoke prediction is the NOAA Smoke Forecast. This tool provides a model prediction of smoke conditions for the next 12-18 hours. While this doesn't allow for long-term planning, it's a useful short-term forecasting tool. However, keep in mind that even within 12 hours, actual conditions can vary significantly from the forecast due to the many variables involved.
NOAA Smoke Forecast
How to Use the NOAA Smoke Forecast
When you first open the site, you'll see a blank map. Start by turning on the "Surface Smoke" layer. This will populate the map with smoke forecast data. There are two different Surface Smoke layers available:
One under "RAP" (Rapid Refresh)
Another under "HRRR" (High-Resolution Rapid Refresh) The HRRR model is generally more accurate but only covers the continental US, while the RAP covers all of North America. The HRRR allows you to see the forecast out to 12 hours, whereas the RAP extends to 18 hours. Both models are updated hourly.
At the bottom of the page, you'll find a time scale with controls to view different times. By default, this is displayed in Zulu time. To change this to your local time, simply click the area where the time is displayed.
It's important to note that when the site loads, it defaults to the latest predicted model time, not the current time. What you're seeing is the prediction for later in the day or tomorrow. To see the current time, you must drag the slider back to the beginning.
Embracing Smoke in Your Photography
While smoke presents challenges, it also offers unique photographic opportunities:
Intimate Landscapes
Focus on smaller scenes where the warm glow of filtered light can enhance your composition. Experiment with excluding the sky to avoid evoking negative emotions associated with visibly smoky conditions, although including the sky can work at times.
Steam colored by warm wildfire smoke by David Kingham
Fog colored by warm wildfire smoke by David Kingham
Wildfire smoke gives color to the mist at Brink of the Upper Falls in Yellowstone National Park
Creating Fine Art Projects
Consider developing a photo series that showcases beauty amid adversity. Such projects can tell compelling stories when presented thoughtfully. For inspiration, check out Matt Lancaster's project "End of Days" in the Project Critique section of Nature Photographers Network.
It's critical to remember that flying drones near active wildfires is strictly prohibited. Firefighting aircraft operate at very low altitudes, and the presence of drones in the area can force these vital operations to be grounded. This not only hampers firefighting efforts but can also put lives at risk. Always check local regulations and fire status before flying your drone, and never fly near active fire zones.
Conclusion
As nature photographers, we must adapt to changing environmental conditions, including the increasing prevalence of wildfire smoke. By understanding how to predict, avoid, and sometimes utilize smoke in our images, we can continue to create meaningful work while prioritizing our health and safety.
Remember, always stay informed about local fire conditions and follow evacuation orders when issued. Your safety should always be the top priority.
At first glance, Rethink Presets seemed a bit overwhelming. After spending some time getting acquainted on how this program works, I dove in and gave it a try.
The presets (more a great set of tools, not merely presets) are grouped in comprehensive, intuitive and easy to use sections, in the order that makes the most sense for processing images. Most other presets offer few, if any, individual preset adjustments. This is where Rethink is different: most Rethink presets offer almost limitless ways in which to fine-tune each step of the way, giving one unprecedented control while working in the Lightroom module. I truly only have scratched the surface of this fantastic program, but I already know it will be a big part of my photo editing workflow. Rethink will bring photo editing to a whole new dimension. One important note: I truly believe that Rethink should be looked at as a great toolbox, rather than just another preset program. Once you try it out, that will make a lot more sense. Kudos to David and Jennifer for developing this much needed program that will enhance your Lightroom workflow to exciting new levels!
No one knows Death Valley and all it has to offer – from grand scenes to intricate details – better than David Kingham and Jennifer Renwick. Their passion for the landscape is palpable and they really impressed upon me the value of discovering your own unique artistic vision and finding beauty in the quieter, smaller scenes of nature. David and Jennifer delivered a top-notch workshop that was deeply thought out and well-organized, complete with a pre-workshop zoom meeting to meet the group and cover the itinerary and packing list. They included a variety of field locations as well as classroom time to share images and review processing techniques. Their down-to-earth friendly approach attracts like-minded participants that made for a fun week. It was a special experience - like chicken soup for the creative soul - and I can’t wait to join them again in the future.
I had the privilege of attending the recent Death Valley Black and White workshop. As it turns out this was one of the best workshops I have ever attended. Both David and Jennifer were professional, experienced and knowledgeable. Both proved to be excellent guides and instructors. They were very attentive when needed. As a result I gained all of knowledge both in photography and post processing. I would highly recommend them. I will certainly be looking at another workshop in the future
Hi Joel, Thank you so much for your incredibly kind words about our Death Valley Black and White workshop. We're absolutely thrilled to hear you had such a positive experience and that you found it to be one of the best workshops you've attended!
We really appreciate you highlighting our professionalism, experience, and knowledge. It means the world to us that you felt we were attentive and that you gained valuable knowledge in both photography and post-processing.
We had a blast working with you too, and we're so excited at the prospect of having you join us on another workshop in the future!
This truly was a unique workshop. Generally instructors do not take the extra time to talk about post processing after creating images on location and death Valley. David and Jennifer were excellent teachers. They were very patient and answered every question as though it was the first time ever being asked. On-site on the dunes, David and Jennifer always visited each photographer during the shoot to ask about questions or suggestions or recommendations for composition. Again, they were very patient and helped with the creative process. David and Jennifer never ignored participants for the sake of taking their own images.
Hey John,
Thanks so much for the glowing review of our Death Valley Black and White Workshop. We're thrilled you found it to be a unique and valuable experience.
We loved having you with us and are so glad you appreciated our approach to teaching, both in the field and during post-processing. It means the world to us that you felt we were patient and helpful, that's exactly what we strive for! We truly enjoy sharing our passion with others and seeing your creativity blossom.
We had a blast exploring Death Valley with you and hope to see you on another workshop soon!
David and Jennifer really know the Death Valley location for photographers. What’s more is that they scout the locations in detail immediately before the workshop. In an area where weather dramatically alters the immediate landscape, this is vitally important when you are spending your precious time there.
Unlike many workshops, the instruction gets high priority, with classroom sessions where you learn steps towards that extra special image. In the case of the black and white workshop that I took, it involved David’s workflow that was simple, innovative and gave impressive results. Also field use of your camera divulges features that you never knew your camera had.
Hi Stewart,
Thank you so much for your fantastic review of our Death Valley Black and White Workshop! We truly appreciate your kind words and are so glad you enjoyed the experience.
It means a lot to us that you highlighted our location scouting and the priority we place on instruction. We're passionate about Death Valley and helping photographers capture its unique beauty, and your feedback really validates our approach. We were thrilled to share David's workflow with you and help you discover new features on your camera!
We had a blast working with you and would love to have you join us on another workshop soon.